Orchestration Masterclass, Part 1: The Strings and The Winds (Udemy.com)
Every aspect of composing for the orchestra whether you are working with real players or sampled orchestra libraries.
Created by: J. Anthony Allen
Last updated May 2026
What you will learn
- Compose music for the strings and for the winds
- The unique properties of every instrument in the orchestra
- How writing for the orchestra works, including scores, parts, shared parts, and more.
- Making your synthesized orchestrations sounds great!
How it compares
Against the other 270 rated Udemy courses in Music on CourseDuck:
- Rating4.5 out of 5higher than 25% of them
- Reviews238#119 of 271 by number of reviews
- Length4.8 hourslonger than 62% of them
- Last updatedMay 2026more recently than 82% of them
Course Description
This course is certified 5-stars by the International Association of Online Music Educators and Institutions.
100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.
Are you a music maker, performer, composer, or aspiring songwriter looking to up your game? This is the place to start.
It's time to learn orchestration to give your music the power, the passion, and the prodigiousness that it deserves.
Orchestration is the study of each instrument in the orchestra, how they work, how to write for them, and how each instrument collides with the others to make new sounds. Think of it like painting: The orchestra is your palette of colors. But you don't want to just mix them all together. You need to understand some principles of mixing those colors together before you put your brush on canvas.
In this series of classes we are going to work on three things:
Instrumentation: Knowing how all of the instruments in the orchestra work, and how to write for them in an idiomatic way.
Composition: Using the orchestra to write powerful music. Learning how to blend the different sounds of the orchestra to make a new, unique, sound.
Synthestration: Using common production software (Ableton Live, FL Studio, Logic Pro, Pro Tools, Cubase, etc.) to create a realistic orchestra sound using sample libraries.
In this first class, "Part 1: The Strings and The Winds" we are going to focus entirely on instrumentation - learning how to write for the strings (violin, viola, cello, bass/contrabass) and the winds (flute, oboe, clarinet, bassoon, and saxophone).
If you don't know me, I've published a lot of classes here. Those classes have been really successful (top sellers, in fact!), and this has been one of the most requested class that my students (over 1,000,000 of them) have asked for. I'm really excited to finally be able to bring this to you.
Here is a list of some of the topics we will cover:
Transposition
Score Order
Tips for Reading Scores
Preparing Parts for Players
Page Turns and Cues
Bowing
Pizzicato
Double Stops
The Violin
The Viola
The Cello
The Bass
String Effects
Harmonics
Col Legno
Ponticello
Glissando
Vibrato
Scordatura
The Winds
Sustained Tones and Breathing
Tonguing and Rhythm
Types of Flutes
Types of Oboes
Types of Clarinets
The Break in the Clarinet
Types of Bassoons
Types of Saxophones
Alto Saxophone, Tenor Saxophone, Bari Saxophone, and Soprano Saxophone
Woodwind Effects
Multiphonics
And Much, Much, More!
My Promise to You:
I am a full-time Music composer and Educator. If you have any questions please post them in the class or send me a direct message. I will respond within 24 hours. And if you find this class isn't for you, I am more than happy for you to take advantage of the 30-day money-back guarantee. No questions asked.
What makes me qualified to teach you?
In addition to being a composer and educator, I also have a Ph.D. in music, I am a university music professor, and have a long list of awards for teaching.
But more importantly: I use this stuff every day. I write music professionally, I am an active guitarist, and I stay on top of all the latest production techniques, workflows, and styles. As you will see in this class, I just love this stuff. And I love teaching it.
Let's get started!
See you in lesson 1.
All best,
Jason (but call me Jay...)
Instructor Details
- 4.5 Rating
238 Reviews
J. Anthony Allen
Dr. Allen is a 2026 Apple Distinguished Educator.
Dr. J. Anthony Allen is a distinguished composer, producer, educator, and innovator whose multifaceted career spans various musical disciplines. Born in Michigan and based in Minneapolis, Dr. Allen has composed orchestral works, produced acclaimed dance music, and, through his entrepreneurship projects, he has educated over a million students worldwide in music theory and electronic music production.
Dr. Allen's musical influence is global, with compositions performed across Europe, North America, and Asia. His versatility is evident in works ranging from Minnesota Orchestra performances to Netflix soundtracks. Beyond creation, Dr. Allen is committed to revolutionizing music education for the 21st century. In 2011, he founded Slam Academy, an electronic music school aimed at increasing accessibility to music production education. His innovative approach to academia was highlighted in 2024 when he received tenure and resigned from his university position on the same day.
As a composer, Dr. Allen is known for his unique synthesis of diverse musical influences, often blending acoustic music with electronic dance music elements. With a Ph.D. in Music Composition, multiple master's degrees, and numerous awards, Dr. Allen's academic and professional achievements are substantial.
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Reviews
By Delaney Gustafson Taylor on 3/21/2025
A great resource whether you're starting or brushing up on orchestration--my family is full of orchestral musicians (strings, conductors, woodwinds) and after discussing the content of this class, they confirmed just about everything in the class as well. Great resource for newbies to the orchestra and instrumentation!
By Timothy French on 2/14/2025
I had 1 year composition and scored for a woodwind quintet but a lot of it went by me and Jay filled in quite a bit and is helping me with this program
By Javy Bojorquez on 10/12/2024
The production of the video is very poor, also the instructor seems like He's doing the lessons in His bedroom, professionalism and a little bit of more formality would bring a more upscale taste to the experience....
By Willard Jansen on 7/26/2023
As always with Jay's courses he feels more like someone you are having a meaningful chat with that your typical tutor. I like that a lot and that's why I learn so much from his classes. He and Thomas Goss on youtube are my single most important resources for orchestration and music theory.
By Michael Flory on 7/10/2023
Great course, have a bachelors in music with a focus on composition. Covid began during my orchestration classes in college and I feel like it hurt my orchestration study’s, this has been an amazing class to review and reapproach the subject of orchestration. I can truely say this is very close to if not as good as the college level courses I took for my BA. Great instructor!
By David Landers on 1/1/2023
was a very interesting lecture will be getting part 2 soon a really good in sight into the layout of the orchestra very pleased thanks have learnt a lot
By Randolph M on 4/8/2022
Presentation is everything, and this course is not presented well. It seems quickly put together and weak on content. The strings section has no classes on staccato or spiccato which are common and integral techniques. The woodwind section lacks sections on altissimo and staccatissimo. It shows unfamiliarity with the subject matter that a college level course would not leave out. I'm also surprised there is no pdf material to support the course. Overall this course needs to be remade to better provide the material promised. There's no excuse for the low quality of production and lack of essential concepts. The instructor says this is the equivalent of college level courses, but I would drop any class that was this poorly constructed and presented.
By Robert Dolan on 3/22/2022
I didn't learn much from this course only because I already knew most of the instruments. I did learn something I did not know which was how to read a score. Since I am an electronic musician using solely samples I would have no need to do that. I do not mean to imply that the professor was in any way deficient. He definitely was not deficient. He's very very good. It's simply that I knew most of these things. I believe I will benefit the most from part 3. I will however take part 2. Congratulations on producing something really great for us.
By Jenna Ward on 2/8/2022
Learned so much, great that he's explaining the context first before getting into the details of the instrument groups. It would be great if he could play samples of the instrument ranges as he is talking about them
By Julie Lind on 2/4/2022
I am so excited to learn about orchestration! Jason Allen is a down-to-earth, highly qualified music teacher. This course is like sitting down with your favorite teacher on zoom and having him talk directly to you. I guess I didn't read the description carefully enough... This is only Part 1 of a series. Now that I'm done with this course, I see it stated in the description that it's a series. But, I had assumed I would be learning about the ranges of ALL of the instruments instead of just strings and woodwinds. So just be aware that more course purchases will be necessary to give you the tools you need to compose for an orchestra.
Quality Score
No CourseDuck member has rated this course yet. Taken it? Give each part a thumbs up or down.
Overall Score : 90 / 100










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